Member 1623
6 entries

Michael Gaio (M, 51)
California, US
Immortal since Feb 29, 2008
Uplinks: 0, Generation 3

Michael Gaio
HoloSys Labs
Sync Hive
Mythic Systems
Social Alchemy
I'm an archetypal engineer : a 26th century cosmonaut in a 21st century "web designer's" body ... M.A. in Philosophy, Cosmology, and Consciousness studies (PCC) at the California Institute of Integral Studies (CIIS)
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    From notthisbody
    Top(OS) Part I
    From edanet
    Pythagorean Theorem in the...
    From N8
    2000 Year Old Computer...
    From connor
    [question] The Inevitable...
    From rene
    SC (the emergence of)
    Recently commented on
    From edanet
    Pythagorean Theorem in the...
    From N8
    Pretty White Noise
    From yoldas
    fabula #1 ....
    From meganmay
    Bioelectrically Yours
    From joakim
    The Future of Flight
    Michael Gaio’s projects
    The human species is rapidly and indisputably moving towards the technological singularity. The cadence of the flow of information and innovation in...

    The Total Library
    Text that redefines...

    Start your own revolution
    Catching up with the future. All major institutions in the world today are grappling to come to terms with the internet. The entertainment...

    Proposal for a multimedia...
    A musical mindstorm on the nature of sound, light, space and subjective experience powered by locally produced energy, heralding the ending of the...
    Now playing SpaceCollective
    Where forward thinking terrestrials share ideas and information about the state of the species, their planet and the universe, living the lives of science fiction. Introduction
    Featuring Powers of Ten by Charles and Ray Eames, based on an idea by Kees Boeke.
    With new technology comes new possibilities to execute technique. If we look to the trend of advents in internet protocols, we see how particular innovations in the information technology domain resulted in tremendous transformative effects in social, economic, and political arenas. The TCP/IP protocol allowed for the identification of independent computers, and for the transfer of information between computers in the nodal network of the non-centralized global communications system (the internet we know today). HTTP brought us the hyperlink. SMTP brought us email. DNS ushered in the "World Wide Web", allowing every website to have a unique name (URL). There are many other protocols worth mentioning (such as XDI). Like the technical protocols that have come before, OpenSound Control (OSC) may lay the foundation for a new level of collective interaction in the realm of art, music, and multimedia.

    OpenSoundControl (OSC) is a protocol for communication among computers, sound synthesizers, and other multimedia devices that are optimized for modern networking technology. Bringing the benefits of modern networking technology to the world of electronic musical instruments, OSC's advantages include interoperability, accuracy, flexibility, and enhanced organization and documentation.

    OSC integrates within the set of other standard internet protocols.

    It appears that OSC is intended to supersede MIDI in multiple aspects. For one, OSC uses standard ethernet cable to transfer more information, with more flexibility and control of the types of information, with much less latency (operating at broadband speeds). Since it uses TCP/IP Ethernet, various types of data can be transfered and synchronized between an assortment of devices and applications, and more—such transfers can happen over any network, local or non-local—including the internet. This could make for some very interesting and novel capabilities in group multimedia collaboration, and in multimedia interaction with internet data and APIs (such as real-time multimedia data interpretations of collective processes).

    OSC is implemented with a wide arrangement of audio and multimedia creation software (such as CSound, Max/MSP, Quartz Composer, and Pure Data). There are also some interesting devices emerging that use the OSC protocol—such as the incredible multi-touch screen control interface, the Lemur, and an iPhone application.

    What is the extent of possibilities with this new technical protocol? Pierre Levy, in his principle work, Collective Intelligence: Mankind's Emerging World in Cyberspace, speaks of the necessity of some type of new collective language:

    We are thus in the situation of a species whose members ... have not yet achieved the state of collective intelligence of the culture for lack of an articulated language. How do you invent a language that no one has spoken, for which there are no records, no examples, and when we lack even an idea of what such a language might be?

    My sense is that OSC is yet another key technical advent in the gradual crossing of the threshold into the realization of such a language, the awakening of collective consciousness, and the first coherent articulations of collective intelligence.

    Now we may begin to collectively utter the early instances of an "over-language". Such a language will not be on the same level as English, Chinese, or French. This meta-language, as a universal language of consilience, will transcend and include all preceding cultural contexts, and synthesize the diversity of our human strands. It will extend from our established media and data bases, yet somehow also surpass rational associations to the semiotic. It will engage us directly with an authentic immediacy and novelty that mimics the impulse of evolution itself. It will orient us, reflect our comprehension of ourselves, our reality, and our purpose in a type of synaesthesic hyper-poetry that continuously describes the nexus where each individual traverses the multitudinous terrain of collective being. It will arch like a rainbow across the noosphere, sprouting spontaneously upon the fresh and tender tongue of the collective psyche in astonishing response to sensing ourselves as a symphonic orchestration in participation with cosmic evolution.

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    {image 1}

    The Whitney Music Box is “a musical realization of the motion graphics of John Whitney as described in his book 'digital harmony'".

    A dance of sound, color, and geometry twirling into synaesthesia ...

    As the source code is available, I made my own adaptation.
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    Words themselves are becoming antiquated. Rarely enough do we even find an
    arrangement as worthy as these:

    Today, Homo sapiens is faced with a rapid modification of his environment, a transformation for which he is the involuntary collective agent. I am not implying that our species is threatened with extinction or that the “end of the world” is approaching. I am not preaching millenarianism. Rather, I would like to point out an alternative. Either we cross a new threshold, enter a new stage of hominization, by inventing some human attribute that is as essential as language but operates at a much higher level, or we continue to “communicate” through the media and think within the context of separate institutions, which contribute to the suffocation and division of intelligence. In the latter case we will no longer be confronted only by the problems of power and survival. But if we are committed to the process of collective intelligence, we will gradually create the technologies, sign systems, forms of social organization and regulation that enable us to think as a group, concentrate our intellectual and spiritual forces, and negotiate practical real-time solutions to the complex problems we must inevitably confront. We will gradually learn ... to collectively invent ourselves as a species.

    - From Pierre Levy's principle work Collective Intelligence: Mankind's Emerging World in Cyberspace

    With the emergence of collective intelligence via the advents of the internet (web 3.0, 4.0, 5.0 etc), an augmentation of symbolic language can be realized within the unfolding of a collectively engineered medium and universally orchestrated message.

    (view my paper here: "Animations of the Internet: Collective Intelligence and Transformation of the Self in a Time of Global Crisis and Initiation")
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    Soot, patience, and the dim whirling of stars
    make a destiny for even you,
    the sole heir

    to all of histories sunken steam ships,
    tomorrow’s breaking sunshine,
    and from darkness, a diamond cut
    to the inward shape of mystery:
    so clear, brilliant, rare.

    Indestructible soul kaleidoscope.

    Upon the anvil, the hammering
    hand of fortune casts
    an oroborus of tergiversation,
    binding your lucky hand
    to giving all away.

    One sun, and even you,
    blazing upon a horizon of no facet:
    so clear, brilliant, rare.

    And caverns of diamonds above.

    — © Michael Gaio, September 29, 2003

    From my book of poems, Soul Kaleidoscope, coming soon)
    Thu, Sep 11, 2008  Permanent link
    Categories: poetry, language, soul, gems
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    This is a preliminary introduction to the Synesthetic MetaGlyph (SMG) series. SMG-003 is a geometric composite representation of three fundamental primary mythemes: the monomyth (the "hero's return" or "eternal return"), combined with the vertical and horizontal axis of the "axis mundi", and the "origin" (central point). Here, pure archetypal (and the corresponding mythical) conceptual notions are applied to direct geometric formulation by trigonometric function in space and time (motion). Associations to the Ouroboros and the torus are also evident.

    This SMG is a primary component in the construction of a paralanguage set for describing ontological and semantic interactive spaces.

    SMG-003 (click here for larger version)

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    Diamonds are forever. Are you ready to live with the clarity, brilliance, and high value of such a perfect gem–and then literally pass it on to future generations … forever? According to an article at BBC News, you will.

    The current trend of digital storage technology is about to go vertical. In just a few years, advents of digital storage and recording devices will be available to document our entire lives in perfect audio and video–continuously (24/7/365). We will then pass forward the high-defination and intelligently organized content of our collective lives into an indefinite future.

    Currently, anyone with about $600 can go out and buy a Terabyte hard drive. Many current cellphones and PDAs also have ample storage capacity, as well as audio and video recording. We can extrapolate the current trends toward a near future where nearly everyone will be able to have enough storage capacity, and the devices in their hands to nearly effortlessly record their entire lives. As the author of this article suggests, we are on the brink of entering into real history:

    “We’re only a few years away from the cost of data storage dropping so far that we can record ‘everything’ that happens to us: our location at any given time, what we are hearing, what we are seeing, and what we are saying or doing.”

    “For the first time ever, the human species will have an accurate and unblinking, unvarnished view of its own past as far back as the dark ages of the first decade of the 21st Century, when recorded history ‘really’ began.”

    Think about it: we lack nearly any accurate rendering of human history from 1000 - 2000 years ago (just a couple of old scrolls and stone tablets). I’ve seen perhaps a few dozen black-and-white photographs and have read only a few texts that were created only 100 years ago. When I look at my family photo albums, the images are tinted yellow, and appear just about as old as the scrolls of ancient Sumeria. From when I was between 3 - 5 years old, there is about a minute of recorded film (with no audio, of course). Fortunately, I was an avid journal keeper–and I now have a stack of about a dozen or so hand-written journals on my book shelf that loosely document my life from 18 onward. Today I take lots of photos and keep a blog (and yet, since entering my 30’s, I’ve become increasingly less concerned with recording the content of my life as opposed to investing time into generating new content of life). Interestingly, in just a few more years, I will be able to record just about everything in multimedia detail, while not needing to become overly concerned with the technical process of it. Even more, as overall information technologies continue to advance, all of my personal life content will be automatically indexd and organized for very efficient recall and cross-referencing.

    “With your phone converting all the speech it hears to text (and storing that, too, and indexing it by time and location it becomes possible to search it all - like having Google for your memory.”

    Once we pass into this technology paradigm, the process of collectively generating an impeccably detailed, broadly diverse, and long-lasting multimedia record of collective history will continue to evolve in its methods, means, and implications. As storage mediums get increasingly granular and smaller in size while simultaneously growing greater in capacity–we will approach another threshold: molecular and atomic archiving. Eventually, we will be able to record binary code at the molecular and even atomic scale.

    “Consider a carbon crystal, created (and edited) one atom at a time by nanomachinery; there are two stable isotopes of carbon, and we can use a Carbon-12 atom to represent a binary 0 and a Carbon-13 atom to represent a binary 1.

    One gram of this substance could store 10 to the power 21 bytes (887,808 petabytes) - the equivalent storage of more than 11 billion typical PCs.

    By way of comparison, in 2003 we as a species recorded 2,200 petabytes (2.5 x 10 to the power 18 bytes) of data - enough to fill the hard drives of more than 28m typical PCs.

    If we can figure out how to read and write data on the atomic scale, you could store the sum total of all the data we recorded in 2003 on a grain of sand.

    Using nanoscale diamond as data storage, six hundred grams (about one and a quarter pounds, if you’re my generation) can store a lifelog, a video and audio channel, with running transcript and search index, for six billion human beings for one year.”

    Sand, glass, crystal, and diamond could make very good storage substrates as they are each carbon/silicon based chemical structures with highly calibrated molecular symmetry matrices and optimal transparency (for optical read/write methods). Given that modern scientists have somewhat recently ushered us into the “New Diamond Age“, having invented methods for artificially growing synthetic diamonds in a lab, a next reasonable step will be to invent a way to “burn” a diamond (just as we now “burn” a CD with lazer) with the content of petabytes of knowledge and experience. Once a diamond is “burned” with data at the atomic scale, it will essentially last for millenniums and beyond.

    I find the implications of this coming revolution in collective memory incredibly inspiring:

    Imagine a day when dust sized nanobots drift through the air of your living room capturing audio and video (in super-high resolution) of every experience from multiple views of perspective, instantly logging with impeccable detail every nuance of experience and the environment into a super-intelligently organized hyper-array within a ubiquitous and transparent global communications network. Combine this with the inevitable advents of semantic systems and ontological engineering, and suddenly–life itself becomes far better than movies (YouTube gone toroidal)!

    But what about security and privacy? Of course these are the most obvious concerns–and will be magnificent hurtles to overcome along our way to match social and spiritual evolution alongside the progressive strides of such technology.

    Given that we do move though the coming bottle neck of social evolution and the environmental challenge–imagine a time centuries from now when it will be a common tradition for all people to review the moment of their birth–re-experiencing that potent and original moment with incredible and sensible detail. Future historians can render composites from vast resources of archived content into a life-like virtual reality (hello HoloDeck). They will interactively explore reconstructions of very specific moments in history, taking note to nuances that we may take for granted today. Everybody will be accountable and truly recognized for every small or great contribution (or lack of contribution) in their entire lifetimes. Each person may realize a uniquely compelling sense of presence and responsibility within the powerful scope of a collective witnessing to their every action–a witnessing shared not just by billions in an instantly networked global community in local time, but also for countless future generations. This aspect alone may contribute significantly toward a holistic integration of personal/collective psychology, result in a much greater sense of fulfillment while living life (feeling a deeper sense of security that your time well spent will be remembered), and be a key element in resolving the psychological problem around death. At the end of people’s lives, the very best moments, contributions, and messages are transferred onto a “hyper-diamond”, and then placed with the family gem collection, or passed along to kin as a diamond ring or pendent (where stories and experiences of the family lineage are continuously added).

    Take into perspective that organic diamonds formed from oily carbon refuse of ancient plants and dinosaurs hard-pressed under tons of rock and eons of time into the most endurable and valued of gems today. Now again we cross a threshold of time into a new eon: where the dinosaurs of our gigabyte hard-drives full of photos, videos, and blogs will soon be placed within the vast archives of a complete composite of our unique stories. All that we say and do over the next few decades will, perhaps, even become mythologized onto the very atoms of a glimmering hyper-diamond–brilliantly cut with the multifaceted perspectives of a shared human legacy of immeasurable value.

    Shine on you crazy diamond …

    And keep an eye out for Lucy in the sky …

    ~ Michael Gaio

    (original blog post:
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