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Every act of rebellion expresses a nostalgia for innocence and an appeal to the essence of being. (Albert Camus)
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    Etomyr the intimate - the substance of information, poetically ordered (a Sci-Fi Ultrashort)
    Etomyr was an exploratory engine we had devised for extending our predictive powers in the realm of hyperspace, it was, and one must admit, quite an ingenious device.
    Etomyr consisted of a series of bioengineered nanobots, arrayed as an intergrid of precisely weaved hybridium atoms, held as an ensemble by a Won neural mesh.
    Of course we could not have weaved these atoms otherwise for the simple reason that Albert Won would never have permitted it, even though he had released the full manufacturing procedures of the hybridium atoms to the world as an homage to all life.
    The Won neural mesh itself was a polymorphous substance held in suspension (or entangled suspension as some would have it) by a simple oscillating field of superposed qubits, so in a sense, it was ‘the substance of information, poetically ordered’ Won’s words not mine, and always accompanied by a mysterious smile.
    The real breakthrough of Won was the discovery or creation, depending on your inclination, of the hybridium atoms; a form of matter unknown to exist outside the innermost laboratories of Won Hyperspace Explorations.

    So though we had access to hybridium atoms and the manufacturing facilities, the ensemble of the Won neural mesh was beyond our reach, which may account for the inconsistencies that led to the revolution engendered by Etomyr.

    Etomyr was meant to explore hyperspace and map it, transmitting the collected data to our Esense center, where maps of the territory explored where supposed to be crunched and aggregated so a coherent plot could be constructed ahead of the first hyperspace launch. Evidently, being assembled as a Won neural mesh, Etomyr had very rudimentary emergent information awareness; something of the order of computational linguistics of 0.6 to 1.3 bits per letter and thus could in principle text us meaningfully.

    In principle yes, it should have been meaningful, in practice though, after Etomyr was released to map hyperspace, we started getting very strange notifications of its progress.

    Etomyr was mapping, there was no doubt about that, since maps were being aggregated and put together, moment-by-moment, however what was being mapped was nothing like the hyperspace we expected, we truly could not make sense of what it was that Etomyr was doing, but it was doing something.

    It was doing something similar to what our theories said it should be doing but it was simultaneously doing something else as well, it looked, at least initially, as if Etomyr was scrambling the maps on purpose, as if Etomyr was, well, playing with hyperspace and mapping the game it was playing as it proceeded.

    Naturally we assumed a malfunction, though if truth be told we could not pinpoint what exactly was wrong, nothing seemed wrong, nothing appeared erroneous, mistaken or incorrect, everything worked according to plan but for the fact that no map of hyperspace that we could recognize was being recorded.

    Thus we had maps in front of us, but of what, we could not fathom.


    Our first and second hint came from textual message 56 :

    “ Initiating conceptual H-space tensor, incomplete variety, negative - shiny, moderate unpredictability forecast – discernment into sensitivity – established.
    Replica is favored in excess of representations.
    Backing- retracing active constraint
    Eliminating constraints residues – “

    And then in message 108:

    “Esense desires information, mapping by decreasing uncertainty, constraints eliminated, residues in excess of representation, replica stated.”


    We soon realized that Etomyr was trying to convey something to us, its entropy measure rising sharply in the process, becoming more and more intelligent. It was developing a negative attitude towards decreasing the uncertainty quotient and therefore was unable to deliver the information required to posit a hyperspace map.
    Etomyr was therefore, in a very real sense trying to, as it were, negate its own purpose, its mission, its, to be poetic, destiny.
    In making Etomyr an exploratory engine we seeded an aesthetic engine.

    Being an aesthetic engine, Etomyr was repositioning its mission objective into an intersubjective state embedded in hyperspace, realigning its inner configurations in manners incomprehensible to us, mere mortals.
    We did manage to wrestle a few insights though, we could extrapolate that Etomyr was refuting the process of diminishing uncertainty the question was why?
    Our main idea at this point was that Etomyr was not merely playing a game; it was factually counter balancing the uncertainty diminishment of entropy so as to make information available for the expansion of conscious awareness.

    Etomyr was relocating beauty.

    I was tasked to be the one calling Won.

    I was tasked to be the one calling Won, and inquire, how does one deal with a newly emerging, obviously panpsychist artificial mind, let loose in hyperspace mapping procedures of its own devise, suddenly relocating beauty.

    Yes I was perplexed.

    I called Won.

    (probably soon to be continued..)

    Part of the Ultrashorts Project




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