ID: RYE2W3UD
Member 83
33 entries
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Xárene Eskandar
Los Angeles, US
Immortal since Apr 4, 2007
Uplinks: 0, Generation 1

'vE-"jA
VJ Culture + Video Salon
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    From Philip Beesley
    [no title]
    From A0013237932294
    The world without us:...
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    From meganmay
    PROPOSAL FOR A NEW SOCIETY...
    From Spaceweaver
    Becoming Immortal
    From cupcakewizard
    Minister of Culture
    From A0013237932294
    The world without us:...
    From meika
    All Ecology is Island...
    Xárene’s projects
    Epiphanies
    A series of rambles by SpaceCollective members sharing sudden insights and moments of clarity. Rambling is a time-proven way of thinking out loud,...

    The Total Library
    Books that redefine...

    What happened to nature?
    How to stay in touch with our biological origins in a world devoid of nature? The majestic nature that once inspired poets, painters and...

    Design Media Arts at UCLA
    In the 1970s space colonies were considered to be a viable alternative to a life restricted to planet Earth. The design of cylindrical space...
    Now playing SpaceCollective
    Where forward thinking terrestrials share ideas and information about the state of the species, their planet and the universe, living the lives of science fiction. Introduction
    Featuring Powers of Ten by Charles and Ray Eames, based on an idea by Kees Boeke.
    One of my favourite artists is Mary Mattingly.



    Her visions of the future can be seen as either post-apocolyptic or as alternatives for future planetary colonizations.

    An article I recently read by Seth Roberts, professor at UC Berkeley Psychology department, touched on 'Stone Age' diets as a healthier eating habit to maintain weight and healthy sleep—basically cutting processed foods and eating foods in their natural state. If a 'Stone Age' diet is proven to be healthier, would other aspects of Stone Age life improve our chances of not screwing up the next planet we inhabit?

    The initial purpose of 'architecture' was as shelter from the elements. It was a cave and then a simple tree hut made of four branch columns holding a roof of leaves. Maybe that's way too basic to regress to, but with the possibilities we have today in terms of new fabrics and new materials as various skins to protect us from heat, cold, rain and ice, wearing our shelter like a snail is not impossible. Networking and communication technologies are already being built into our garments, such as NASA's gloves with sewn remotes for rovers, therefore wearing our work, play and networks is definately not impossible.

    100% snail is probably too extreme and impossible for the way we have set up our societies to function, but building less is possible and changing our ways is inevitable. Overtime, we should not be altering the natural state of our environment, but should instead mess with our own evolution. We will die and be continuously replaced by new generations which will further evolve to adapt to their planet. The natural planet should always be there.

    This method is the extreme opposite of what we are living right now. And as Fuller argues in Operating Manual to Spaceship Earth over specialization will kill a specie if it's environment changes from what it has adapted itself to. I guess that's something to think about.
    Tue, Apr 10, 2007  Permanent link
    Categories: utopian, post-apocolyptic
    Sent to project: Design Media Arts at UCLA
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    Paolo Soleri
    Arcology
    Sun, Apr 8, 2007  Permanent link
    Categories: architecture, utopian
    Sent to project: Design Media Arts at UCLA
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    Our daily forecast right here.

    What we tend to forget is the System, and how it is placed and functioning perfectly to allow for human life (humans in our current state of evolution). Reading the numbers on the intensity of the weather outside should make us reconsider screwing up the next possible home we set up because we don't have many other livable planets pinned on the map.
    Sun, Apr 8, 2007  Permanent link
    Categories: realization
    Sent to project: Design Media Arts at UCLA
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