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	<title>SpaceCollective: On to the syntactical future</title>
	<link>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</link>
	<description></description>
	<pubDate>Mon, 11 Aug 2008 10:58:28 +0000</pubDate>
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		<title>New comment on: On to the syntactical future</title>
		<link>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</link>
		<comments>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</comments>
		<pubDate>Mon, 11 Aug 2008 10:58:28 +0000</pubDate>

		<dc:creator>folkert</dc:creator>
		
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		<description>&#60;a href="http://spacecollective.org/Hal2002"&#62;Hal2002&#60;/a&#62; wrote:&#60;br /&#62;&#60;br /&#62;It is the meaning of the words that cull the &#38;quot;heard&#38;quot;.  &#60;br /&#62;
&#60;br /&#62;
If a command of rhymes all with rhythm affect the mind and mend the schism, so be it.  But as I see it:  Time can be lost in relativity, when you keep too close an eye on others' leaps in the sky, you'll find it was your self that passed you by.  &#60;br /&#62;
&#60;br /&#62;
Focus on the core of words that war, &#60;br /&#62;
But fear and fail to explore the battles that might &#60;br /&#62;
Than expect to lose your way and sight.&#60;br /&#62;
&#60;br /&#62;
I wonder can we get beyond the smelling of the spelling and let symbols speak for themselves.  Folkert/McKenna and others speak of building in the 5th dimension.  Something I think can be done if only through fun. Once one starts to poke at the smoke that spoke, a space is created where support had been mated.&#60;br /&#62;
&#60;br /&#62;
A. Pope spoke of the critics that passed.  So that we may be freer to learn and laugh.</description>
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		<title>New comment on: On to the syntactical future</title>
		<link>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</link>
		<comments>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</comments>
		<pubDate>Fri, 20 Jun 2008 12:33:11 +0000</pubDate>

		<dc:creator>folkert</dc:creator>
		
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		<description>&#60;a href="http://spacecollective.org/wilfriedhoujebek"&#62;wilfriedhoujebek&#60;/a&#62; wrote:&#60;br /&#62;&#60;br /&#62;the poets of the future will be engineers. &#60;br /&#62;
&#60;br /&#62;
hey, is McKenna;s future not already our present?</description>
		<wfw:commentRss>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</wfw:commentRss>

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		<title>New comment on: On to the syntactical future</title>
		<link>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</link>
		<comments>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</comments>
		<pubDate>Wed, 18 Jun 2008 13:22:00 +0000</pubDate>

		<dc:creator>folkert</dc:creator>
		
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		<guid isPermaLink="false">816</guid>
		<description>&#60;a href="http://spacecollective.org/cupcakewizard"&#62;cupcakewizard&#60;/a&#62; wrote:&#60;br /&#62;&#60;br /&#62;It's complicated.</description>
		<wfw:commentRss>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</wfw:commentRss>

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		<title>New comment on: On to the syntactical future</title>
		<link>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</link>
		<comments>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</comments>
		<pubDate>Sun, 20 Jan 2008 13:58:15 +0000</pubDate>

		<dc:creator>folkert</dc:creator>
		
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		<guid isPermaLink="false">816</guid>
		<description>&#60;a href="http://spacecollective.org/meika"&#62;meika&#60;/a&#62; wrote:&#60;br /&#62;&#60;br /&#62;In Thesis Eleven by Barry Allen  &#60;a href="http://the.sagepub.com/cgi/content/abstract/89/1/6" target="_blank"&#62;Turning Back the Linguistic Turn in the Theory of Knowledge&#60;/a&#62;. A good compare and contrast to the acid trip.</description>
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		<title>New comment on: On to the syntactical future</title>
		<link>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</link>
		<comments>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</comments>
		<pubDate>Tue, 15 Jan 2008 13:43:06 +0000</pubDate>

		<dc:creator>folkert</dc:creator>
		
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		<description>&#60;a href="http://spacecollective.org/meika"&#62;meika&#60;/a&#62; wrote:&#60;br /&#62;&#60;br /&#62;The metaphor of the 'ordering' (syntaxis) of an Ancient Greek military unit (phalanx, finger) has been used (millennia later) by Terence McKenna in a moment of insight into the freedom of a virtual world compared to meatspace engineering, proclaiming, &#38;quot;The engineers of the future will be poets. &#38;quot;&#60;br /&#62;
&#60;br /&#62;
After some linguistic/grammar puns I say they must be but war poets and sappers, &#60;a href="http://en.wikipedia.org/wiki/Embedded_journalist" target="_blank"&#62;embedded&#60;/a&#62; in carnage and undermining connections. No doubt this is a moment of etymological fundamentalism on my part.&#60;br /&#62;
&#60;br /&#62;
I then suggest that, as a failed poet myself, with reference to Shelley's &#60;i&#62;Defence of Poetry&#60;/i&#62;, that chiliastically leaping about saying that the paradise-to-be is poetry, is really but a future &#60;i&#62;ruin&#60;/i&#62;, (like Shelley's Ozymandias). If not an instant ruin.&#60;br /&#62;
&#60;br /&#62;
This leads to the poetical suggestion, from a failed poet, that maybe a non-military non-finger-pointing &#60;i&#62;ordering(not)&#60;/i&#62; of speech might be more useful metaphors. Though I don't think I give any suggestions. Might save them for a post.&#60;br /&#62;
&#60;br /&#62;
At this point Folkert adds, &#38;quot;That's still a little rudimentary though, the ultimate goal would of course be to do away with syntax altogether.&#38;quot;&#60;br /&#62;
&#60;br /&#62;
Which I read —as I would, as a failed poet— &#38;quot;as without syntax and use some other &#60;i&#62;ordering(not)&#60;/i&#62; (non-imperative) system&#38;quot;. Not that there would be no order but that it would be more emergent than &#60;a href="http://spacecollective.org/meika/2223/internet-baby" target="_blank"&#62;pointed&#60;/a&#62;.&#60;br /&#62;
&#60;br /&#62;
So we're all right, if not alright already.&#60;br /&#62;
&#60;br /&#62;
&#60;br /&#62;
&#60;br /&#62;
ps&#60;br /&#62;
the (not) following 'ordering' is a substitute for strikethrough text which is not allowed here, thus &#60;i&#62;ordering(not)&#60;/i&#62; &#60;br /&#62;
&#60;br /&#62;
&#60;br /&#62;
&#60;cap&#62;&#60;br /&#62;
I feel like a tutor ruining the poem for everyone. I am Ozymandias.&#60;/cap&#62;</description>
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		<item>
		<title>New comment on: On to the syntactical future</title>
		<link>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</link>
		<comments>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</comments>
		<pubDate>Tue, 15 Jan 2008 05:55:41 +0000</pubDate>

		<dc:creator>folkert</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>&#60;a href="http://spacecollective.org/Spaceweaver"&#62;Spaceweaver&#60;/a&#62; wrote:&#60;br /&#62;&#60;br /&#62;Syntax is necessary for participation and coordination. How could we participate in thought or emotion without language? and how is language to work without syntax? I might have missed the whole point here, yet this very exchange is syntax based. Metaphors, are the landmarks of the evolution of language. The ancient meaning of a word is not necessarily significant in its contemporary usage. The future will allow us to &#60;b&#62;be &#60;/b&#62;the poems we create. In a world of unlimited resources, poiēsis, another ancient Greek word, will regain its ancient meaning: both poetry and creation. </description>
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		<title>New comment on: On to the syntactical future</title>
		<link>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</link>
		<comments>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</comments>
		<pubDate>Mon, 14 Jan 2008 20:20:57 +0000</pubDate>

		<dc:creator>folkert</dc:creator>
		
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		<description>&#60;a href="http://spacecollective.org/folkert"&#62;folkert&#60;/a&#62; wrote:&#60;br /&#62;&#60;br /&#62;&#60;blockquote&#62;And of course, in many ways, language use is a multitude of fancy ways to point at things, and so carry them into speech.&#60;/blockquote&#62;Very nice. &#60;br /&#62;
&#60;br /&#62;
War poets or not, in the above situation syntax would come in where transitions from idea to execution happen – in the same way a new reality is summoned on Star Trek's Holodecks I guess. That's still a little rudimentary though, the ultimate goal would of course be to do away with syntax altogether.</description>
		<wfw:commentRss>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</wfw:commentRss>

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		<title>New comment on: On to the syntactical future</title>
		<link>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</link>
		<comments>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</comments>
		<pubDate>Mon, 14 Jan 2008 18:04:50 +0000</pubDate>

		<dc:creator>folkert</dc:creator>
		
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		<description>&#60;a href="http://spacecollective.org/meika"&#62;meika&#60;/a&#62; wrote:&#60;br /&#62;&#60;br /&#62;Despite the acid I beg to differ.&#60;br /&#62;
&#60;br /&#62;
As I remember it &#60;a href="http://en.wikipedia.org/wiki/Syntax" target="_blank"&#62;syntax&#60;/a&#62; was a ancient Greek military term, such as one might described the ordering of a &#60;a href="http://en.wikipedia.org/wiki/Phalanx_formation" target="_blank"&#62;phalanx&#60;/a&#62;. [ I can't remember where I read it htough :(. ] This metaphor returns to language because the syntax of the phalanx, was the turn of another metaphor, as &#60;a href="http://en.wiktionary.org/wiki/phalanx" target="_blank"&#62;phalanx means finger&#60;/a&#62;. And of course, in many ways, language use is a multitude of fancy ways to point at things, and so carry them into speech.&#60;br /&#62;
&#60;br /&#62;
So then, a syntax, is a working together as an ordering, perhaps barked as a command. It makes every case an &#60;a href="http://en.wiktionary.org/wiki/imperative" target="_blank"&#62;imperative&#60;/a&#62;.&#60;br /&#62;
&#60;br /&#62;
So the future may not be made by poets at all, or at least, if by poets, only by war poets in a poetry of pure orders, unhindered by the chaos of the battlefield. Of course it's here already, by virtue of &#60;a href="http://www.worldofwarcraft.com/index.xml" target="_blank"&#62;wargames&#60;/a&#62;.&#60;br /&#62;
&#60;br /&#62;
&#60;a href="http://en.wikipedia.org/wiki/A_Defence_of_Poetry" target="_blank"&#62;&#60;br /&#62;
Shelley said poets were the legislators of the future&#60;/a&#62;. But as a failed poet, I say, that &#60;a href="http://en.wikipedia.org/wiki/Ozymandias" target="_blank"&#62;Ozymandias&#60;/a&#62; is, perhaps, poetry and all its legislations.&#60;br /&#62;
&#60;br /&#62;
Poetry will be found in the emergent &#60;a href="http://en.wikipedia.org/wiki/Institutions" target="_blank"&#62;institutions&#60;/a&#62; of the future, for poetry is a making, and a bringing together of things, ordered more by self and selves than on command by some war poet &#60;a href="http://en.wikipedia.org/wiki/Sapper" target="_blank"&#62;sapper&#60;/a&#62;.&#60;br /&#62;
&#60;br /&#62;
Or perhaps I am just a touch sensitive. A trans-emo-brat?&#60;br /&#62;
&#60;br /&#62;
</description>
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		<link>http://spacecollective.org/folkert/816/On-to-the-syntactical-future</link>
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		<pubDate>Thu, 20 Dec 2007 19:17:47 +0000</pubDate>

		<dc:creator>folkert</dc:creator>
		
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		<description>&#60;a href="http://spacecollective.org/ika"&#62;ika&#60;/a&#62; wrote:&#60;br /&#62;&#60;br /&#62;It's beautiful to read and makes me think of the macro / micro . Some people try to reach higher and some people try to travel through wires.</description>
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