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f|Myles (M)
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Interests: Architecture, New Media, New Physics, Energy, Philosophy, Sound, Light, Electronic Music Production, SCI-Arc, MAT, Immersive Environments, Interactive Design & The Singularity...
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  • Now playing SpaceCollective
    Where forward thinking terrestrials share ideas and information about the state of the species, their planet and the universe, living the lives of science fiction. Introduction
    Featuring Powers of Ten by Charles and Ray Eames, based on an idea by Kees Boeke.
    Red Bull Stratos, a mission to the edge of space, seeks to surpass limits that have existed for 50 years. Felix Baumgartner will undertake a stratospheric balloon flight to 120,000 feet and attempt a freefall jump targeted to reach – for the first time in history – supersonic speeds.
    Driven by Red Bull and a stellar team of scientists and specialists, the mission aims to deliver valuable lessons in human endurance and high-altitude technology.More Info:

    What:
    A Jump From 23 Miles in the Air
    690 mph
    5-1/2 min free fall

    When:
    2010

    Who:
    Fearless Felix

    More Info:
    New York Times
    RedBull

    Thu, Mar 18, 2010  Permanent link

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    Here you can find information about new sci-art publication of the National Centre for Contemporary Arts (Kaliningrad branch, Russia) - the international anthology "Evolution Haute Couture: Art and Science in the Postbiological Age". The first volume of anthology (titled "Practice") is a printed catalogue with descriptions, technical info and photographs of art projects, as well as a unique collection of 45 documentary films on 2 DVD-ROMs (7 hours total time) about artworks recently created using the latest twenty-first century technologies: artificial life, wearcomp, evolutionary design, robotics, bio-, tissue and genetic engineering, etc.

    The National Center for Contemporary Arts (Kaliningrad Branch, Russia) presents Evolution Haute Couture: Art and Science in the Post-Biological Age, 1 Volume – Practice. The first volume of anthology is a printed catalogue with descriptions, technical info and photographs of art projects, as well as a unique collection of 45 documentary films on 2 DVD-ROMs about artworks recently created using the latest twenty-first century technologies: artificial life, robotics, bio and genetic engineering. The medium in these artworks is living or lifelike matter, and the properties of living organisms and technologically reproduced artefacts are combined to produce the method. The anthology gives a comprehensive overview of the current stage of contemporary techno-biological art. It provides a panorama of artistic strategies for granting and withdrawing the gift of authenticity. The analysis of these strategies opens up new possibilities for creative production and cultural commentary. The presentation of the project was held in the framework of the XXX Moscow International Film Festival, and art exhibitions in Kaliningrad, Moscow and Sankt-Petersburg, carried out on international contemporary art festivals and conferences in Berlin, Tomsk, Yekaterinburg and Petrozavodsk. In 2009 the Evolution Haute Couture project won the National Innovation Prize (Moscow, Russia), awarded annually for achievements in contemporary visual arts.

    This edition «Evolution Haute Couture: Art and Science in the Post-Biological Age» can be purchased in printed form as anthology. Requests should be sent to: videodoc@ncca.koenig.ru (full info).

    Full reference to this book: «Evolution Haute Couture: Art and Science in the Post-Biological Age». Edited by Dmitry Bulatov, 196 pp. with 110 colour and 52 b/w illustrations, plus two DVD-ROMs (for computer use only). NCCA: Kaliningrad, 2009. ISBN: 978-5-94620-054-7

    http://www.videodoc.ncca-kaliningrad.ru/eng/

    Thu, Feb 18, 2010  Permanent link

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    FEBRUARY 18 - 19, 2010
    February 18, 2010, 5:30 pm »
    GADGET OK! Device Art in Japan Symposium Lecture, Performance & Exhibitions
    February 18 & 19, 2010

    Device Art challenges traditional paradigms of art. The borders between art and other related fields are no longer clear-cut. Device Art explores new ways of bridging art, design, technology, science and entertainment by using both latest innovations and everyday technology. It also introduces elements derived from the Japanese
    traditional culture such as the appreciation of tools and materials. Device art is often playful and can be realized as gadgets. Some of them are even turned into commercial products meant to make our lives a little more interesting and to help us understand what it means to live in a media society. While it reflects elements of the Japanese culture, Device Art is also influences by worldwide phenomena in art, design, fashion, architecture, etc, and the do-it-yourself technology movement.

    Thursday, February 18, 2010
    Frederik Schodt, (Writer, Specialist of Japanese popular culture)
    “Astro Boy and Robot Love in Japan: The Nexus of Fantasy and Technology"
    5:30 pm, Feb. 18, 2010 at EDA, Broad Art Center

    Maywa Denki New Product Presentation (Art Unit by Novmichi Tosa)

    "Otamatone"

    6:30pm, Feb 18, 2010 at EDA, The Broad Art Center

    Exhibition Gadget OK! : Feb. 18 - 24 Bermant Grad Gallery, Entrance,
    The Broad Art Center

    Exhibiting Artists: Novmichi Tosa (Maywa Denki), Kazuhiko Hachiya,
    Sachiko Kodama, Hiroo Iwata, Ryota Kuwakubo

    Selected gadgets from Japan:TENORI-ON (by Toshio Iwai and Yamaha), USB
    gadgets, miniature robots, cell phone straps, etc.

    FRIDAY , February 19, 2010 Symposium, beginning at 10am - 5pm, CNSI Auditorium

    Speakers & panelists: Victoria Vesna, HIroo Iwata, Masahiko Inami,
    Sachiko Kodama, Erkki Huhtamo, Eddo Stern, Kazuhiko Hachiya, Machiko
    Kusahara, Novmichi Tosa, Peter Lunenfeld, Casey Reas, Frederik Schodt

    Exhibition D|MA2 (Device | Machine Arts X Design | Media Arts):
    Feb 18 - March 4, 2010, Art | Sci center Gallery, CnSI
    (Opening: 5:15pm, Feb 19)

    Artists: Jonathan Cecil, Megan Daalder, David Elliot, Michael Kontopoulos, Lauren McCarthy, Eric Siu, Pinar Yoldas

    Thanks to our generous sponsors: DMA, Art | Sci center, CREST program of Japan Science and Technology Agency
    Tue, Feb 16, 2010  Permanent link

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    SCI-Arc Lecture
    Wednesday, January 27, 7pm
    W.M. Keck Lecture Hall

    Come check out Matmos, they will be incorporating a performance into their lecture!

    The San Francisco-based experimental music group Matmos begins SCI-Arc's Spring 2010 lecture series on January 27. Matmos is M.C. Schmidt and Drew Daniel, aided and abetted by many others.
    Mon, Jan 25, 2010  Permanent link
    Categories: SCIArc, Lectures
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    Wired:
    January 5, 2010
    http://www.wired.com/wiredscience/2010/01/hubble-finds-farthest-oldest-galaxies-yet/

    By pushing the refurbished Hubble Space Telescope to its very limits as a cosmic time machine, astronomers have identified three galaxies that may hail from an era only a few hundred million years after the Big Bang. The faint galaxies may be the most distant starlit bodies known, each lying some 13.2 billion light-years from Earth.

    Detecting galaxies at such a distance is at the very edge of what current technology can accomplish, comments Richard Ellis of Caltech, who was not part of the new study. It’s uncharted territory, he says.

    If the researchers are correct in the preliminary determination, then Hubble is seeing light that reveals the galaxies as they first appeared just 480 million years after the birth of the universe. (That light traveled for billions of years to reach Earth.) The radiation from such early galaxies played a crucial role, theorists believe, in reionizing the universe. That process breaks apart neutral atoms into electrons and ions, a process that enabled light from the first generation of stars to stream freely into space.

    The astronomers caution that because the galaxies they found with Hubble are seen at only one wavelength, it’s not certain that the bodies are extremely distant; they could just be red and faint. “We certainly don’t have smoking gun evidence,” says study coleader Rychard Bouwens of the University of California, Santa Cruz. “We just have tantalizing evidence that suggests we may be identifying a few [extremely distant] galaxies.”

    Bouwens and Garth Illingworth, also of UC Santa Cruz , along with several collaborators, posted their findings online December 23 at the physics arXiv.org site (http://arxiv.org/abs/0912.4263). The team, like several others, went hunting for distant galaxies using Hubble’s newly installed Wide Field Camera 3, which in August took a long look in infrared wavelengths at a patch of sky known as the Hubble Ultra Deep Field. Another Hubble camera had examined that field five years earlier in visible light, revealing many faint, faraway galaxies, but not the most remote galaxies, which can only be seen in infrared.

    Ultraviolet and visible light emitted by the youthful stars in the earliest, most distant galaxies is shifted to much longer wavelengths — the infrared part of the spectrum — by the expansion of the universe. The more remote the galaxy, the greater the redshift.

    In September, two teams, including Bouwens’, reported finding galaxies with redshift values of seven to eight, corresponding to an era about 700 million years after the Big Bang. Now, the researchers estimate that another three galaxies imaged by the camera have a redshift of about 10, which if confirmed would be the largest redshift ever measured. Bouwens says that several tests, including observations with the infrared Spitzer Space Telescope, indicate that the galaxies they spotted are likely to be truly remote, reducing the possibility that his team is being fooled by intrinsically faint, infrared-emitting galaxies that lie much closer to Earth.

    Other teams, notably a group that includes Rogier Windhorst of Arizona State University in Tempe and Haojing Yan of Ohio State University in Columbus, reporting earlier on arXiv.org (http://arxiv.org/abs/0910.0077), claimed to have found 20 galaxies at that same high redshift using the same data from the refurbished Hubble.

    Garth and Illingworth note that most of the candidate distant galaxies identified by the Windhorst team lie near known, bright galaxies. They suggest that the team may have been confused by stray light from these bright galaxies. Other astronomers say it would be surprising if all 20 galaxies were from the same early era, since the Ultra Deep Field encompasses a narrow strip of sky. That would indicate that the early universe had a surprisingly high density of such galaxies.

    Although the race is on to find more-convincing examples of distant galaxies, “redshift-10 galaxies are about the very edge that our current technology can push to,” notes Yan. It’s likely that none of the distant galaxy candidates can be confirmed until the launch of Hubble’s powerful infrared successor, the James Webb Space Telescope, around 2014, astronomers agree.

    Image: NASA/ESA /Z. Levay (STScI)

    Wed, Jan 6, 2010  Permanent link

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    Tue, Dec 22, 2009  Permanent link
    Categories: software, Hack
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    An Article that address energy use and computation speed. Computers and the immense amount of power they require to produce their speed and efficiency.

    This was in last months Discover magazine (November). I was reminded of it after reading another recent post by SelfEvolving:
    http://spacecollective.org/SelfEvolving/5424/SuperBrain-The-Brain-ReCreating-Itself-

    Brain-Like Chip May Solve Computers' Big Problem: Energy
    The future of computing may depend on embracing the chaos that defines human thinking.
    Discover magazine (NOV):
    by Douglas Fox
    http://discovermagazine.com/2009/oct/06-brain-like-chip-may-solve-computers-big-problem-energy

    Sun, Dec 20, 2009  Permanent link

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    Sat, Dec 19, 2009  Permanent link

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    From SEED:
    By Veronique Greenwood

    CHAOS IS EVERYWHERE IN THE NATURAL WORLD, PRESENT IN THE COILING OF SMOKE RINGS, THE FRONDS OF FERNS, AND THE BEATING OF OUR HEARTS. BUT AT THE LEVEL OF QUANTUM PHYSICS, CHAOS AS WE NOW DEFINE IT IS UNQUANTIFIABLE.

    Working in a cramped MIT laboratory in 1961, meteorologist Edward Lorenz stumbled upon a new science. Wanting a closer look at the data of a weather simulation he was running, Lorenz restarted it in the middle. Within a few minutes, everything changed and the data he had expected to see had morphed into strange new patterns. A stunned Lorenz checked his inputs. He had rounded the starting values by about .0001, which should have been insignificant. And yet it was not.

    At the time, scientists thought small changes in starting values should make only a small difference in most systems. But sometimes such tiny shifts will cause a very different outcome, completely out of proportion with the size of the change—this hypersensitivity to initial conditions is what Lorenz dubbed the “butterfly effect” and what we now call chaos.

    Chaos, which underlies systems as diverse as fractals, ferns, and weather, causes behavior so complex and unexpected that, though it is fundamental to the natural order, it was only recently that scientists began to characterize it. Chaotic movement is unstable and unpredictable, but completely deterministic, meaning that it’s controlled by its starting conditions.

    A scant five decades after Lorenz’s seminal experiment, chaos is informing the new study of resilience and complexity. Chaos has been observed at nearly every level of the natural world, from the movement of the planets to the patterns of wind to the beating of the human heart. In fact, almost everything in nature is chaotic.

    But at the level of atoms, our definition of chaos has run into a problem.

    Chaos is usually defined by a system’s movement: Set a pendulum swinging, track exactly where it goes, and its motion will reveal whether it is chaotic. Atoms, however, are governed by the uncertainty principle, which means that their location cannot be known precisely. What’s more, the laws of quantum mechanics say that hypersensitivity to initial conditions, which is considered the primary characteristic of a chaotic system, is physically impossible for atoms—at least in the way it’s understood at the classical level.
    This presents a serious quandary because quantum mechanics is considered the most basic set of universal laws. Chaos must have some connection with the quantum level, but how it manifests itself, or how to quantify it, has thus far eluded physicists. Work published recently in Nature helps shed light on this problem as researchers working with cooled atoms searched for what they call signatures of chaos.

    If such hypersensitivity to initial conditions cannot happen in a quantum system, other red flags of classical chaos might still be detectable. This could indicate that chaos in some form could exist at the level of atoms, or, at the very least, would imply a connection between quantum events and classical chaos. “Though you will never be able to find hypersensitivity to initial conditions in the quantum system, you are able to tell if the outward signs produced by classical chaotic systems are the same in quantum systems,” says Poul Jessen of Arizona State University, the lead researcher on the Nature paper.

    In order to see these signatures, physicists have taken the conditions that cause chaotic behavior in human-scale systems and applied them on the atomic level. Jessen and his collaborators recently succeeded in making a quantum “kicked top” out of cesium atoms for the first time.

    Kicked tops are an excellent example of chaotic systems when it comes to classic physics. You start an object twirling—say, a gyroscope—and then give it a series of kicks and twists as it spins. The initial condition that decides whether a gyroscope moves stably or chaotically is the direction of its axis when it starts spinning.

    In order to visualize the gyroscope’s behavior, the different values of its angular momentum are plotted on the surface of a globe. Some initial orientations of its axis cause the momentum to swerve in a “chaotic sea,” covering most of the surface of the globe. But other orientations cause the spin to settle into stable, regular motion in one of three main “islands” in the sea.

    In their experiment, researchers substituted atoms for gyroscopes and looked at how angular momenta affected the atoms’ quantum states. What they found was intriguing: Some spins of the quantum top locked the atoms into a stable set of islands, while other values let the atoms’ quantum states wander erratically.

    The number and location of the islands, when plotted, corresponded eerily to the classical model. So while the atoms’ behavior could not technically be called chaotic because they cannot show hypersensitivity, they mimicked the evolution of the classical, chaotic system almost exactly. Other measurements indicated that the system might have some sensitivity to disturbances, another interesting link to chaotic behavior.

    These observations alone provided good evidence that something related to chaos was happening. But the most fascinating result was that one of the strangest properties of atoms, entanglement, shot up in areas corresponding to the chaotic sea. When two quantum-scale objects, like atoms or nuclei, are entangled, performing an action on one instantaneously affects the other even if vast distances separate the entangled objects. Einstein famously called entanglement “spooky action at a distance,” and it forms the basis of modern attempts to built quantum computers.

    Could entanglement be a signature of chaos? Jessen and his collaborators think so. According to Jessen’s coauthor Shohini Ghose of Wilfrid Laurier University, theoretical papers have discussed potential links between entanglement and chaos for some time, but this is the first experiment to demonstrate the relationship. “[The emergence of entanglement as a signature of chaos] “is very interesting to those who want to have a lot of entanglement in a system—it’s the fuel that helps with quantum computing. So if chaos helps to increase entanglement, that’s a good thing,” Ghose says. “But it also makes it harder to predict.” Jessen adds, “ Chaos in entanglement could be why quantum computing is so difficult.”

    Taken together, the presence of these signatures indicates a link between the quantum system’s behavior and classical chaos. For Jessen, this result is a first step on a long but exciting journey, a trip he shares with many other physicists who study the quantum-classical boundary. “We would like to show how classical chaos can emerge from quantum physics,” he says. “We would like to understand the transition from the quantum world to the much larger world where quantum systems behave almost classically.”

    But quantifying the quantum-classical linkage is sticky issue. Hypersensitivity to starting conditions defines chaos on the classical scale, but in order to explain the presence of chaos-like behavior on the quantum level, we must turn to something that underlies hypersensitivity—for instance, the way a system interacts with its environment, or the forces that are exerted on it.

    “It really is a problem of definition,” Ghose says. “This is what we as a community ultimately have to pin down: what we mean by quantum chaos.”

    What this experiment has shown is that the actions that cause a difference in a system’s behavior on a classical level—a difference we would call chaos—cause a difference in a quantum system’s behavior as well. According to Ghose, that indicates that some underlying property is at the roots of chaos, a property that can produce hypersensitivity but whose definition shouldn’t be limited to it. “The smell of a rose is a property of a rose, but it comes from something deeper, from the chemicals in a rose. To me, sensitivity is a property of chaos, but there is some deeper, underlying reason why that is a property. And that underlying reason is really what connects the quantum and classical worlds,” Ghose says. “That tells me that when we look at classical chaos we should look at those underlying properties more. Hypersensitivity is a consequence of these constraints, or lack of constraints, on motion.”

    The next step for the team is undertaking similar experiments with larger spins, which will bring them closer to the classical level. Where the two regimes intersect, what they will find? Perhaps another breadcrumb in the trail toward what connects the classical and the quantum—and perhaps another chance to probe the nature of chaos.

    http://seedmagazine.com/content/article/the_question_of_quantum_chaos/

    Fri, Dec 18, 2009  Permanent link

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    By Clara Moskowitz

    When physicist Vitaly Efimov heard his theory had finally been proven, he ran up to the younger scientist who had verified it and gave him a high five.

    Efimov had predicted a quantum-mechanical version of Borromean rings, a symbol that first showed up in Afghan Buddhist art from around the second century. The symbol depicts three rings linked together; if any ring were removed, they would all come apart.

    Efimov theorized an analog to the rings using particles: Three particles (such as atoms or protons or even quarks) could be bound together in a stable state, even though any two of them could not bind without the third. The physicist first proposed the idea, based on a mathematical proof, in 1970. Since then, no one has been able to demonstrate the phenomenon in the lab — until recently.

    A team of physicists led by Randy Hulet of Rice University in Houston finally achieved the trio of particles, and published their findings in the online journal Science Express.

    "It was very exciting, because after 40 years of this prediction being out there, it was finally verified," Hulet told LiveScience.

    Hulet presented his work at a meeting in Rome in October that Efimov also attended.

    "He gave me a high five after my talk," Hulet recounted. "He was so enthusiastic and so excited to see this prediction become true."

    Efimov had calculated that the triplet of bound particles was possible, and that it was repeating: New bound states could be achieved at higher and higher energy levels in an infinite progression. All of the bound states would occur at energy levels that were multiples of 515.

    To prove that they had really created the trios, called Efimov trimers, the researchers produced one set of three lithium atoms bound together, and then reproduced it with a binding energy 515 times the first one. (Essentially, binding energy indicates how tightly the particles hold onto one another and how much energy it would take to pull them apart.)

    The researchers used a setup called a Feshbach resonance that allowed them to tweak the energy levels of their atoms. They found that when they hit multiples of 515, the particles would bind, but at other energies they wouldn't, proving that the trios really were Efimov trimers.

    "It's an amazing effect, really," Hulet said. "A lot of people didn’t believe [Efimov] at first. It was a very strange prediction."

    The theory is unique because it's a solution to a special case of what's called the "three-body" problem. Scientists have solved the "two-body" problem — that is, they have calculated exactly how two objects should move based on their starting positions, masses and velocities. Scientists can also calculate this scenario for many masses, but a pure solution to the general three-body problem has been elusive.

    "Physicists can handle two-body problems quite well, and many-body problems fairly well, but when there are just a few objects, like the three bodies in these Efimov trimers, there are just too many variables," Hulet said.

    The Efimov calculation isn't the solution to the general case, but rather a solution to a specific case of three bodies. Thus, discovering a real-life example of three particles fulfilling his prediction is an important step to learning more about few-body physics.

    http://www.livescience.com/strangenews/091216-reappearing-particle-trio.html

    Thu, Dec 17, 2009  Permanent link

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