"Uchronies ou la ville au fond de l’œil se veut une exposition où l’univers de la science-
fiction, du dessin animé et du jeu vidéo se déclinent et se nourrissent les uns les autres,
tel un parasite susceptible d’avaler un morceau de paysage aux sculptures modernistes
détruites à coup de dynamite.
Des formes inspirées du monde des gamers (Nicolas Tilly) aux idéaux piégés des années
cinquante (Renaud Bézy), l’exposition traite d’une perception du monde tout en strates
et en incrustations, comme une faille où l’on se glisse pour mieux pénétrer une réalité
plus que jamais dévoyée par la fiction."
Judith Lavagna
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At the interior of the series Prismatic Stories I started a sub-series.
The stories are prismatics planks study of World crystallized. A detailed representation, a map, these drawings are expressing different views as reported by an explorer.
With this sub-series titled The Stones, I wish to undertake a study of an experimental ground "handmade". This variation of triangles, the basis of 3D modeling, remember the size of gems, but also a deconstructed personal ownership of perspective.
ongoing series.
watercolor on paper
Format : 40 x 40 cm. (Here are excerpts)
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The mutant and hybrid structure...
SCENARIO 1 :
This hybrid structure emerge to the ground and swallow the landscape.
SCENARIO 2 :
All the residents build a new kind of human habitation at the heart of the mutant.
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I make a movie of "la Bête-Monde" who presented this entity. It will be a sculpture.
I realise a first step of "la Bête-Monde" :
This project is a story about a entity who carry a piece of world (the Landscape, model by laser sintering). The scale of "la Bête-Monde" is undefined.
A step between a model and a work of art.
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This is a picture of my recent project : The Landscape.
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