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Polytopia
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i am an eXperiment. a Syncopated word & image coLLage imported from Our minD sEnse-thoUght collective stream. a trial 2 eXpress the aRhythmia & the off beat that lies in-betwEEn the bond made of: imAge narrative & senSation. an aEsthetic act and aim of WondeR in the search for a CRaCK. as for if anything eXists at all it exisTs i n - b e T w e e n.
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    The intense world of differences, in which we find the reason behind qualities and the being of the sensible, is precisely the object of a superior empiricism. This empiricism teaches us a strange ‘reason’, that of the multiple, chaos and difference (nomadic distributions, crowned anarchies).

    It is always differences which resemble one another, which are analogous, opposed or identical: difference is behind everything, but behind difference there is nothing.

    Every object, every thing, must see its own identity swallowed up in difference, each being no more than a difference between differences

    We know that modern art tends to realise these conditions: in this sense it becomes a veritable theatre of metamorphoses and permutations. A theatre where nothing is fixed, a labyrinth without a thread (Ariadne has hung herself). The work of art leaves the domain of representation in order to become ‘experience’, transcendental empiricism or science of the sensible.






    * Gilles Deleuze outlining "transcendental empiricism" in "Difference and Repetition".
    * David Hockney photographic collages.

    Tue, May 25, 2010  Permanent link

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